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Music in Theory and Practice Volume 2, by Bruce Benward, Marilyn Saker
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This best-selling text gives music majors and minors a solid foundation in the theory of music. It strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire.
The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.
- Sales Rank: #124835 in Books
- Published on: 2014-03-24
- Original language: English
- Number of items: 1
- Dimensions: 10.80" h x .60" w x 8.80" l, .0 pounds
- Binding: Spiral-bound
- 384 pages
About the Author
Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.
Most helpful customer reviews
20 of 23 people found the following review helpful.
Impractical, Confusing for Students
By C. G. Stark
As a theorist, composer, and educator of advanced theoretical subjects, I found the book impractical for teaching purposes. The presentation and sequence of the theoretical materials could be better organized. Some concepts such as circle progressions and stylistic practice are impractical and does not teach proper techniques in harmonization and voice leading. Circle progressions can be easily explained as harmonic sequences. The book does not cover enough on rhythm and rests. There are errors in the 16th c counterpoint with a couple of examples containing major 6th intervals, which is not permitted in the style. No mention about 18th c. counterpoint. There are several other theoretical concepts I do not agree with that conflict with other well-known theory texts. Non-harmonic tones are not clearly defined and several are missing. I could understand why students are coming to me for help considering how difficult it is for them to interpret the ideas presented in this book. Not all the information is bad, but much can be presented in a much clearer and understandable way.
Harmony and Voice Leading
Harmony
10 of 11 people found the following review helpful.
Practical Theory
By Piano Fan
The CD helps with the theory part. I find most theory book lacks practical application. This book will be a good source for those who are interested in applying music theory into real world music playing.
6 of 6 people found the following review helpful.
Excellent music theory text
By D. Ann Wood
I have used this text successfully for several years with first-year college theory students, both in the classroom and in directed study. It offers many clear examples and a variety of exercises for students to complete. I intend to continue using it and would recommend it not only as a classroom text but as a vehicle for independent study for practicing musicians without an extensive knowledge of music theory.
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